Jackie Saccoccio, Degree of Tilt

Thomas Micchelli writes for Hyperallergic
If the Abstract Expressionists sought to vanquish the focal points of traditional painting through a balanced fragmentation of the picture plane, Saccoccio does the opposite. Rather than rely on Cubist precedent and correlate the figure to the ground, she doubles down on her targeted point of interest, the center, and then does all she can to demolish it via a wholesale effusion of solvents. more
These are details of work in her recent exhibition at Eleven Rivington


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