Squeak Carnwath's exhibition What's Before Comes After is reviewed by John Yau for Hyperallergic.
Carnwath is a studio painter who doesn’t work from the figure or still-life. Rather, she transforms the studio’s secure, enclosed spatial world into a rectilinear plane that is open and vulnerable to every variety of event, every sort of thinking and experience. Conceived by the artist as “our space,” this plane becomes a repository of all kinds of information – a non-narrative record of diverse pictorial signs, abstract patterns, and excerpts drawn from a wide range of sources. more
|Squeak Carnwath, “Two of Everything” (2014-2015), oil and alkyd on canvas over panel, 60 x 70 inches (all images courtesy Jane Lombard)|
|Squeak Carnwath, Girls, 2015|