Eberhard Havekost

Since the early 90’s, the german artist’s entire output involves reworking preexistent images – photos clipped from newspapers or magazines images drawn from film or video, personal shots – without giving any weight to their original meaning. Moreover, it seems obvious that Eberhard Havekost has chosen his source-images by making sure they are free from overtones, whether political, historical or social, in order to avoid grazing any type of symbolism. from Gallery Hussenot
The end and the dawn

The end and the dawn, Installation View



Havekost, The end and the dawn


Popular Posts